KN Magazine: Articles

Venita Bonds Shane McKnight Venita Bonds Shane McKnight

FIVE KEYS TO CREATING BELIEVABLE VILLAINS

Believable villains aren’t built on pure evil—they’re shaped by humanity, vulnerability, justification, body language, and the people around them. In this craft article, Venita Bonds explores five essential keys that help writers create multidimensional antagonists who feel disturbingly real.


My elderly aunt never speaks ill of anyone. When I joked that she could find something nice to say about the devil himself, she said, “Well, he does have a good work ethic.” 

Few people are 100% evil—and this includes bad guys. Mystery writer DP Lyle says, “Everyone is the hero of their own story.” While it’s tempting to make your villain bad to the bone, you have to make him “human” enough to be believable. Villains need at least one fault, frailty, or soft spot that makes them vulnerable. 

Key 1: Humanity and Vulnerability

Think of Boyd Crowder in Justified. He’s a bad guy we hate to love, but we love him, anyway. Why? Because he’s charismatic, intelligent, eloquent, and funny. He’s also untrustworthy and prideful. His human flaws make him vulnerable and often self-destructive.

The cannibalistic Hannibal Lecter in Silence of the Lambs is impossible to love, but his brilliant intellect and odd sense of decorum make him believable in a terrifying way. FBI Agents Crawford and Starling think his only weakness is his huge ego, which makes him vulnerable to their attempts to use him to track down a killer. We’ve all known people with the human qualities of pride, ego, and intelligence. Hopefully, they’re not hungry.

Keys 2 and 3: Justification and Backstory

Humans believe we have the right to act as we do. We try to justify our actions, no matter how heinous. Villains are no different. They often use their backstory to justify their deeds. Something in their past explains their rotten behavior—at least in their own mind. 

One caution: Think of backstory as salt sprinkled into the mix with a lean hand. While backstory is a necessary ingredient for you to understand your villains and what motivates them, feed it to your readers only a grain at a time, and never in your beginning pages. 

Your villains do not have to be killers to need backstory and justification. They can be anyone who exerts power: lawyers, preachers, politicians, medical personnel, or company CEOs. 

Alabama native Richard Scrushy drove a cement mixer for a living. In his rags-to-riches backstory, he went from hauling cement to becoming the CEO of a multibillion-dollar corporation. Possessing an ego the size of his bank account, he ruled his executives through threats and intimidation. When the Department of Justice indicted him on 85 counts of conspiracy, money laundering, and securities fraud, the company’s stocks crashed. Scrushy justified his actions as those of a philanthropic visionary whose only sin was trusting his accountants.  

Florida prostitute Aileen Wuornos murdered seven johns. Her backstory? Sexual abuse from childhood. During her trial, she highlighted her past to make jurors see her in a sympathetic light. Her justification for murder was that all men were a threat to life and limb. She claimed she acted in “self-defense like any human would do.” She made herself believable enough to garner a fan club. 

Key 4: Body Language

The human body speaks louder than words. We can control what we say and might even pass a lie detector test, but our body language can be a dead giveaway. Even the most duplicitous villain reveals the truth through “tells” that leak out of his movements and mannerisms. To create believable villains, let their bodies do the talking.

Example: 

Her left eyelid twitched. Poker players know that micro movements can reveal a person’s thoughts. I was a lousy poker player, but I’d known Elsa Bea all my life. I saw her tell.

Another example: 

She locked onto my eyes without blinking. Liars do that when they want you to believe they’re telling the truth. Unfortunately, she was bouncing her left leg as though keeping time to a drumbeat. Legs don’t lie. 

Key 5: Secondary Characters

Use your secondary characters to increase your villain’s believability. Like my elderly aunt, secondary characters can provide backstory and justification for a villain. In this scene, a housekeeper is defending a doctor suspected of poisoning elderly women. 

“His primary practice is anti-aging— hormones and hydrogen peroxide infusions,” Geraldine said. 

“Is that what he’s giving Mother?” 

She shrugged. “All I know is that it’s made from plants, so it’s all natural.”

“Poison ivy’s all natural. Rattlesnake venom’s all natural.”

“He’s not poisoning her!” 

“How do you know?”

She threw up her hands in exasperation. “He went to Cambridge. Would the Ochsner Clinic employ him if he weren’t an excellent physician?”

Turn the Key

The most important key to creating believable villains is you. The greater your understanding of human behavior and communication, the more realistic your bad guys will be. Just don’t turn your back on one.  

Suggested Reading and Viewing 

Books

Six-Minute X-Ray: Rapid Behavior Profiling by Chase Hughes 

How To Analyze People: How To Read Anyone Like A Book by Madison Taylor

Confidential: Uncover Your Competitors’ Top Business Secrets Legally and Quickly—and Protect Your Own by John Nolan

Websites and Videos

Thebehaviorpanel.com features educational videos on behavioral analysis, communication and elicitation, deception detection, and interrogation. Participants are: 

Mark Bowden: truthplane.com

Chase Hughes: chasehughes.com
www.youtube.com/@chasehughesofficial 

Greg Hartley:  greghartley.com

Scott Rouse:  scottrouse.com

Scott & Greg:  bodylanguagetactics.com

Television and Movies

“Invisible Monsters: Serial Killers in America” (2021 Miniseries) 

The Serial Killers of “Invisible Monsters” | A&E (aetv.com)

“Monster” (2003 movie about Aileen Wuornos starring Charlize Theron)

“American Greed” (TV documentary series for students of human nature and behavior)

“Catch Me If You Can” (2002 movie about a con man)

Weston Smith’s HealthSouth video on the largest health care fraud in US history:  
https://youtu.be/rjgLRRoc_JU?si=FrfYJsN8WRHDd__2


Venita Bonds is a retired RN with a background in intensive care and psychiatric nursing. She taught adult writing courses and worked for a defense contractor training human intelligence assets for deployment. The author of four historical novels, she now writes Southern Gothic mysteries and short stories. She was a Killer Nashville 2025 Claymore Award winner. She can be found at www.venitabonds.com.

Read More
Mary Lynn Cloghesy, Jason Schembri Shane McKnight Mary Lynn Cloghesy, Jason Schembri Shane McKnight

Freedom Fighters: Harness the Power of Motivation and Discipline to Beat Procrastination

All writers face the inner enemy of procrastination. In this insightful and empowering guide, Mary Lynn Cloghesy and Jason Schembri explore how motivation and discipline can work together to help writers conquer resistance, build better habits, and stay on track toward their goals.


One common foe all writers face, regardless of genre, is procrastination. It’s inevitable for anyone in a deadline-driven profession. Whether you are writing for yourself or a publisher, you are bound to run into this anti-hero in the dark corners of your mind, who will try to lead you down pathways that go nowhere, then abandon you at the end. If you make the long journey back to where you started, it will be waiting for you, tapping its foot, wondering what will work this time… that article you plan to write, why bother… the chapter you want to finish, no one will read it… these deadlines, all irrelevant... Even Charles Dickens has something to say on the matter: “Never do tomorrow what you can do today. Procrastination is the thief of time.” 

“Procrastination” is derived from the Latin verb procrastinare—to put off until tomorrow—but it’s more complex than a simple delay. It’s a state of mind. Coleridge used the term, a “tomorrower,” in 1810 for someone caught in the grips of procrastination. Certain studies suggest it’s a strategy to manage negative emotions like self-doubt that cause you to avoid what is beneficial; others define it as intention alone without any follow-through. Regardless, it can become a self-destructive cycle. As writers, we are especially susceptible to procrastination because our rewards don’t come immediately. It can be years before any hard work pays off, particularly if you are seeking recognition by the industry, which makes this enemy even more powerful. 

Add to that our propensity to judge ourselves harshly, and we can back ourselves into a corner. As Megan McArdle explains in an article in The Atlantic, “Most writers manage to get by because, as the deadline creeps closer, their fears of turning in nothing eventually surpasses their fears of turning in something terrible.” Can we do better than that? Only if we are intentional in our approach, as research has revealed that nearly 80% of our thoughts are negative and 95% are repeated on an endless loop, both of which keep us moving through a labyrinth of excuses and missed opportunities. William James, father of American psychology, has famously said, “a great many people think they are thinking, when they are merely rearranging their prejudices.”

 So, how do we combat this formidable opponent? We need a team of superheroes: Motivation and Discipline. Mirriam-Webster defines motivation as “a stimulus, force, or influence,” using the word “incentive” and “drive” as comparatives, whereas discipline is described as “control gained by enforcing obedience or order,” then sadly adds “punishment” as a synonym. At first glace, the words “motivation” and “discipline” seem to be opposite in nature, so we need to unpack these terms to understand how they can beat procrastination. 

At the beginning of a project when your ideas are flowing and any deadlines are in the distant future, your motivation is typically high. You want to do your chosen task, putting pen to paper (metaphorically.) Yet, procrastination is hiding in the background, silent and invisible, lying in wait. Motivation will be the first thing to come under attack, as it’s prone to the vagaries of your mood, emotions, and external influences. Enter discipline, who you might think of as the “big brother” of motivation. Discipline can help you get back on track, although its influence may be fleeting, if you resist it because you feel chastised. Clearly, these two need to work together to win the day.

Strategies to Keep You Motivated

Because motivation is higher in the early stages of writing, we’ll address it first. By training this superhero, you’ll learn to sustain your efforts, until it’s time for discipline to step in to help you accomplish your goals. Here are some tools and strategies to consider:

  • Use “The Five Second Rule,” by self-help author, Mel Robbins.
    The premise is that when you have an idea, your brain will KILL the impulse in five seconds unless you act upon it. To apply this concept, count down from five to one, then follow-through on an action that implements or supports the idea immediately. For writers, this may mean free-writing for a few minutes to “prime the pump,” when the countdown ends, or firing up the work-in-progress that you’ve been avoiding.

  • Ask yourself: what do you want NOW versus MOST. When you feel distracted or lose interest in your long-term goal, such as finishing a novel, it can be easy for short term “wants” to take precedence over delayed desires. This is where you need to step back and ask yourself, “what do I want NOW, and what do I want MOST?” If they happen to align, that’s great, but if not, use this question to determine what matters to you most. Alignment can and will happen more often, the more you implement this strategy.

  • Commit to a Mirror Moment. What is a mirror moment, you might be wondering…it’s a strategy to bring to light the fears and resistance you experience in the dark recesses of your mind. If most of our thoughts are unproductive, taking up space that could be used for creative work, then we need to call them out. More importantly, we need to recognize the internal dialogue that is disabling us by asking ourselves if what that inner voice says is true, especially when procrastination is speaking. To implement this strategy, stand in front of a mirror, and say OUT LOUD what you’re thinking. Next, ask yourself if it’s true (spoiler alert: procrastination always lies). Finally, smile and tell it to STAND DOWN. This is the transitional step where discipline can begin to take hold. It’s more powerful than you realize, although it can feel a little uncomfortable the first few times you try it.

How to Build Discipline (Without Punishment)

When considering the notion of discipline, it’s crucial to separate it from punishment. The first is positive and productive, whereas the second is painful and punitive. We can only harness the power of discipline when we embrace habit-building, which is a proactive approach to achieving our goals versus a reactive response to missing our objectives. Writers are hard enough on themselves, right? Our contributions to the craft and canon of writing can, and should, begin with diligent self-care and kindness for ourselves and others. Having clarified that point, let’s consider some strategies to build discipline:

  • Make Some Space: Sometimes, you’ll experience a legitimate lack of time in your day for writing, but you can do something about that. Try an exercise called Start/Stop/Continue. Find one thing you want to start, preferably writing, then find something that is occupying time that is not beneficial to your forward progression and commit to stop doing it. Anything within your current routine that serves you well can be acknowledged and retained. In this way, you won’t continually add more work to your schedule as you’ll substitute one thing (writing, reading, research time) and stop another. Overburdening yourself creates overwhelm, which fuels procrastination. 

  • “Piggyback” New Habits on Existing Ones: It can feel difficult to build a habit in isolation, so it may help to “piggyback” a new habit on top of an existing one that you already enjoy. For example, we both enjoy our morning coffee, so we decided to “piggyback” our first writing session with that habit. As soon as our cups are filled, we each sit at our desks and fire up our works-in-progress. Now, that these habits are successfully paired, it feels strange not to follow-through. The beauty of piggybacking is that it accelerates the adherence to a new habit, while also creating time efficiency. 

Healthy Living Top Tip

Our healthy living top tip this month is to build consistency through repetition. “Persistence in resistance” beats procrastination, every time. It helps to think of writing as a practice, one that requires regular attention, even for short intervals. Protective discipline can’t be built on a one-time effort, but when you string your efforts together on daily basis, for many days in succession, a new habit is formed, and discipline becomes the perfect partner to motivation. Together, they are a dynamic duo that will help you cross the finish line of any writing project.

Freedom Fighters Working for You

Procrastination is one of our biggest enemies, and it is ever-present. If we want to succeed in our writing, we need to be deliberate in our strategy and use strong tools to overcome it. Thankfully, we have the freedom fighters of motivation and discipline by our side. Reviewing our goals on a regular basis will enhance our probability of success too, so procrastination doesn’t take us by surprise. While some effort is involved in building and tracking new habits, consider what science fiction writer Douglas Adams says about the rewards, “I love deadlines. I love the whooshing noise they made as they go by.” Now, start counting down, 5-4-3-2… and head straight to the mirror for a heart-to-heart with yourself about your writing, acknowledging how much it matters. 


Mary Lynn formerly co-owned a therapeutic clinic, and Jason is a long-term weight loss and healthy living coach. Together, they host a writing and hiking retreat in the Canadian Rockies.

Read More

Submit Your Writing to KN Magazine

Want to have your writing included in Killer Nashville Magazine?
Fill out our submission form and upload your writing here:

SUBMIT YOUR WRITING