KN Magazine: Interviews
Clay Stafford talks with James Grippando on “Turning Complex Ideas Into Page-Turning Stories”
In this engaging conversation, Clay Stafford interviews bestselling author and trial lawyer James Grippando on the art of transforming complex legal concepts into compelling, page-turning fiction. From pacing and research to simplifying technical material without losing authenticity, Grippando shares practical insights for writers aiming to balance accuracy with storytelling momentum.
Clay Stafford talks with Don Bruns on “Editing, Momentum, and Keeping the Reader Hooked”
In this in-depth conversation, Clay Stafford interviews bestselling author and editor Don Bruns on the craft of storytelling, exploring momentum, character development, and the hidden pitfalls that weaken manuscripts. Drawing from decades of experience on both sides of the page, Bruns shares practical insights on sustaining tension, avoiding common mistakes, and keeping readers fully engaged from the first line to the last.
Clay Stafford talks with Paul Karasik on “How to Write a Graphic Novel”
Two-time Eisner Award winner Paul Karasik joins Clay Stafford to discuss how to write a graphic novel—how to think visually, collaborate with artists, and translate emotion into panels. A masterclass in visual storytelling from one of comics’ most insightful minds.
Clay Stafford talks with James Comey on “What Makes Stories Linger”
Clay Stafford interviews James Comey on writing stories that linger. Comey discusses character, truth in fiction, and why vivid scenes and authentic voices make stories unforgettable.
Clay Stafford talks with David Handler on “Character, Conscience, and Crime”
In this wide-ranging and thoughtful interview, Edgar Award-winning author David Handler joins Clay Stafford to discuss the craft of crime fiction, the role of character and conscience, and how to address social issues in fiction without sounding preachy. Full of wit, wisdom, and heart, Handler reminds us that the best crime stories are human stories.
Clay Stafford talks with Eric LaRocca on “Writing Transgressive Literature Without Apology”
In this candid conversation, horror author Eric LaRocca explores the power and purpose of transgressive literature, discussing how pushing boundaries creates emotional truth and empathy in unsettling storytelling. From influences like Clive Barker to navigating backlash, LaRocca shares his uncompromising vision and why provoking readers is central to his craft.
Clay Stafford talks with Joyce Carol Oates “On Being Her Own Person”
In this conversation, Joyce Carol Oates reflects on her new collection Flint Kill Creek, the evolving political relevance of her historical novel Butcher, and her enduring drive to experiment across genres. With insight into her writing process, teaching philosophy, and thoughts on literary career-building, Oates offers rare wisdom for writers navigating both inspiration and discipline.
Clay Stafford talks with Callan Wink “On Succeeding as a Part-Time Writer”
Callan Wink talks about the winding journey to publishing Beartooth, the balance of writing part-time while guiding anglers in Montana, and why it's okay to put a manuscript in the drawer—just not forever.
Clay Stafford talks with Heather Graham on “The Business of Writing”
Heather Graham joins Clay Stafford for a candid conversation about the business side of writing—from handling finances and choosing representation to navigating social media and protecting rights. With wit and wisdom, Heather shares lessons learned across her prolific career and offers invaluable advice to emerging writers.
Clay Stafford talks with Abbott Kahler “Advice for Writing True Crime”
Bestselling author Abbott Kahler joins Clay Stafford to discuss the intense research and writing process behind her new true crime book Eden Undone, sharing practical advice for writers of nonfiction and fiction alike—including the role of Scrivener, outlining, and writing techniques that bring history to life.
Clay Stafford talks with Andrews & Wilson “On Collaborating”
Bestselling thriller authors Brian Andrews and Jeffrey Wilson—known collectively as Andrews & Wilson—discuss their journey from solo careers to a powerhouse writing team. In this candid conversation, they reveal their creative process, how they manage co-authoring, and advice for writers considering collaboration.
Paying it Forward
Author, editor, and publisher Judy Penz Sheluk talks with Charlie Kelso about fiction, short stories, anthologies, and her path from journalist to indie press founder. With insights on writing, editing, submitting, and publishing, Judy shares her experiences behind Larceny & Last Chances and her broader mission to pay it forward through storytelling.
“Dean Koontz: The Secret of Selling 500 Million Books”
Bestselling author Dean Koontz opens up about writing habits, character development, ditching outlines, and what it really takes to sell 500 million books. From 60-hour weeks to honoring eccentricity, Koontz shares advice every aspiring writer should hear.
“Bruce Robert Coffin: Using Your Life to Write a Police Procedural”
Bruce Robert Coffin, retired detective turned bestselling author, shares how real police work shapes compelling fiction. From emotional authenticity to procedural accuracy, Coffin reveals what it really takes to write a great police procedural—and how any writer can get it right.
“A Casual Conversation with Susan Isaacs”
In this informal and delightful follow-up conversation with bestselling author Susan Isaacs, we chat about writing description, plotting mysteries, working with ADHD, and how building a fictional series can feel like creating a second family. A refreshing reminder of why writers write—and why conversations like this matter.
Author Amulya Malladi on “Research: Doing It, Loving It, Using It, and Leaving It Out”
In this informal and delightful follow-up conversation with bestselling author Susan Isaacs, we chat about writing description, plotting mysteries, working with ADHD, and how building a fictional series can feel like creating a second family. A refreshing reminder of why writers write—and why conversations like this matter.
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