KN Magazine: Poetry

Al Baron Shane McKnight Al Baron Shane McKnight

NIGHTPLANTER

A laborer pauses in a pine grove, struggling against weakness while continuing the quiet, necessary work of cutting stalks so they may grow again. In “Nightplanter,” Al Baron reflects on unseen labor, endurance, and the tension between personal memory and the anonymous work history requires.

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R.J. Stayton Shane McKnight R.J. Stayton Shane McKnight

ENOUGH

In “Enough,” R.J. Stayton captures the moment when despair gives way to surrender and hope. Through spare, powerful lines, the poem explores doubt, emotional exhaustion, and the quiet return of faith that follows when the struggle becomes too heavy to carry alone.

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John Grey Shane McKnight John Grey Shane McKnight

FRANKLIN, ALONE?

In “Franklin, Alone?” John Grey crafts a haunting meditation on identity, memory, and isolation. Through surreal imagery—frost that deceives, an owl singing backward, and a hare leaving no trace—the poem explores the fragile line between reality and forgetting. As the speaker questions whether the name “Franklin” belongs to him or merely to the room around him, the poem drifts into a quiet psychological mystery about the erosion of self.

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Holly Day Shane McKnight Holly Day Shane McKnight

Butterflies

In “Butterflies,” Holly Day twists beauty and decay into a startling meditation on death. Imagining a world where brilliant moths and jewel-toned butterflies emerge from human corpses, this provocative poem challenges our revulsion toward mortality and asks whether transformation would change the way we grieve. Lyrical, unsettling, and philosophical, it confronts the thin boundary between horror and wonder.

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Al Baron Shane McKnight Al Baron Shane McKnight

BARHOPPING

In “Barhopping,” Al Baron traces a restless night through numbered bars, blurred memories, and unresolved ghosts. What begins as casual drinking becomes an uneasy reckoning with the past—old wounds, shared trauma, and the illusion of escape. Sharp, surreal, and darkly reflective, this poem explores guilt, repetition, and the way entrances and exits can feel equally impossible.

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John Grey Shane McKnight John Grey Shane McKnight

THE DIMMER GLOW

A twilight meditation where landscape, memory, and unease converge. “The Dimmer Glow” moves through dusk and darkness, blurring the line between what is seen and what is remembered, as the mind turns inward and finds meaning not in brilliance, but in the quiet pull of fading light.

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Daniel Thomas Moore Shane McKnight Daniel Thomas Moore Shane McKnight

Concerning Love

In spare, meditative lines, Concerning Love explores silence, memory, and tenderness as acts of listening. This poem reflects on what remains unspoken, suggesting that love endures not through declaration, but through the quiet depths that bind the anguished heart.

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Nicole Antillon Shane McKnight Nicole Antillon Shane McKnight

Dust to Dust: Milepost 466

A haunting desert drive becomes a collision of memory, myth, and terror as a lone traveler confronts the revenants of her past and something far darker lurking on Route 264. A poem of place, dread, and the thin veil between the living and what listens in the night.

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Olivia Pierce Graham Shane McKnight Olivia Pierce Graham Shane McKnight

Rapeseed

In Rapeseed, Olivia Pierce Graham reflects on memory, voice, and self-interrogation through lyrical precision and haunting restraint. The poem’s quiet intensity explores how identity and sincerity shift across time—what remains, what disappears, and what still speaks back from the page.

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Frank William Finney Shane McKnight Frank William Finney Shane McKnight

Lavations

In Lavations, poet Frank William Finney distills time, memory, and decay into a single image: the act of washing away what cannot be cleansed. A brief yet haunting meditation on age, impermanence, and the quiet persistence of the past.

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Clark Hays Shane McKnight Clark Hays Shane McKnight

Wounded, The Morning

In Wounded, The Morning, poet Clark Hays captures the fragile beauty and quiet brutality of dawn in an urban landscape. Through imagery of shattered glass and blooming flowers, Hays contrasts destruction and renewal, revealing how even a city shaped like a broken heart can glow with light, resilience, and rebirth.

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Al Baron Shane McKnight Al Baron Shane McKnight

AVOID THE TREES

In Avoid the Trees, Al Baron delivers a striking poem of observation and memory. Through eucalyptus trees, smoke, and the weight of aftermath, the poem confronts both imagination and reality—reminding us it’s sometimes safer to turn away than to face what remains.

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Gary Ramsey Shane McKnight Gary Ramsey Shane McKnight

Timeless Butterfly

In Timeless Butterfly, Gary Ramsey reflects on aging, memory, and enduring beauty through the quiet admiration of a woman transformed by time. With lyrical grace, the poem celebrates resilience, wisdom, and the unseen radiance that persists beneath life’s surface.

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Claudia Wysocky Shane McKnight Claudia Wysocky Shane McKnight

Paper Birds

In Paper Birds, Claudia Wysocky delivers a powerful meditation on freedom, fragility, and the pursuit of dreams. Soaring with rich imagery and emotional depth, the poem explores what it means to chase transcendence in a world bound by gravity, time, and impermanence.

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Al Baron Shane McKnight Al Baron Shane McKnight

THE PASS

In The Pass, poet Al Baron crafts a stark and atmospheric meditation on motion, mystery, and evasion. With minimal language and cinematic imagery, the poem captures the emotional residue of escape—what we flee, what we ignore, and what waits just around the bend.

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Michael Lee Johnson Shane McKnight Michael Lee Johnson Shane McKnight

TURNIPS IN SOUTHERN TENNESSEE STILL

In Turnips in Southern Tennessee Still, poet Michael Lee Johnson weaves imagery of moonshine, memory, and spiritual doubt into a haunting meditation on the Southern landscape. With echoes of violence, history, and surreal reflection, this poem explores the blurry lines between faith, myth, and rural truth.

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Cary B. Ziter Shane McKnight Cary B. Ziter Shane McKnight

TRAUMA: SEE MEDICAL FOOTNOTE

A ruptured relationship leaves behind more than emotional bruises in TRAUMA: SEE MEDICAL FOOTNOTE. Cary B. Ziter’s visceral poem fuses medical metaphor and emotional wreckage in a raw, surreal meditation on heartbreak, memory, and the lingering heat of a love turned catastrophic.

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Irma Kurti Shane McKnight Irma Kurti Shane McKnight

DISTANCES

In Distances, Irma Kurti traces the quiet ache of separation through rain-slicked streets and flickers of melancholy light. A meditation on longing, memory, and emotional distance, the poem drifts through landscapes both external and internal with lyrical restraint.

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